domingo, 9 de agosto de 2009
Vacaciones
Seguro
Estoy seguro que Lady Di era un travesti.
Lady Di, Diana, el travesti Diana. Digo más, era el mejor travesti del mundo. Omar Shariff y el príncipe Carlos tenían devotas inclinaciones por los transvestidos y encontraron en ese trava, lo que toda la vida buscaron.
Motivos por los que Lady Di era travesti:
- Su cara. Inobjetable
- Era amiga de Elton John. Todos sabemos que pasa ser amigo de John tenés que ser, como mínimo, transformista
- Su matrimonio con el príncipe más feo. Inobjetable.
- Ningúna mujer que se digne mujer se puede poner "Lady" antecediedo a su nombre. Ese es un recurso que se lo legan a los travestis. No hay mujeres que se autoproclamen Lady Martha, pero si miles de Manolos que se dicen Ladys.
Para los que se preguntan por los hijos: son de el-ella. Su madre era la famosa Parker, falsamente amante de Carlos. William y toda la troupe son hijos de Lady y Parker. Carlos, no podía.
¡Afuera!
Yo no estoy instalando un espíritu destituyente, le estoy agregando parches de actualizaciones.
viernes, 17 de julio de 2009
Caguen mejor!
La gente trabaja como caga: sentados y sin pensar, para que salga más rápido.
***
Caguen mejor!
viernes, 10 de julio de 2009
Be safe
One of those fucking awful black days when nothing is pleasing and everything that happens is an excuse for anger. An outlet for emotions stockpiled, an arsenal, an armour. These are the days when I hate the world, hate the rich, hate the happy, hate the complacent, the TV watchers, beer drinkers, the satisfied ones. Because I know I can be all of those little hateful things and then I hate myself for realising that. There's no preventative, directive or safe approach for living. We each know our own fate. We know from our youth how to be treated, how we'll be received, how we shall end. These things don't change. You can change your clothes, change your hairstyle, your friends, cities, continents but sooner or later your own self will always catch up. Always it waits in the wings. Ideas swirl but don't stick. They appear but then run off like rain on the windshield. One of those rainy day car rides my head implodes, the atmosphere in this car a mirror of my skull. Wet, damp, windows dripping and misted with cold. Walls of grey. Nothing good on the radio. Not a thought in my head.
Lets take life and slow it down incredibly slow, frame by frame with two minutes that take ten years to live out. Yeah, lets do that.
Telephone poles like praying mantras against the sky, metal arms outstretched. So much land travelled so little sense made of it. It doesn't mean a thing all this land laid out behind us. I'd like to take off into these woods and get good and lost for a while. I'm disgusted with petty concerns; parking tickets, breakfast specials. Does someone just have to carry this weight? Abstract typography, methane inconvenience, linear gospel, Nashville sales lady, and torturous lice, mad Elizabeth. Chemotherapy bullshit.
The light within you shines like a diamond mine, like an unarmed walrus, like a dead man face down on the highway. Like a snake eating its own tail, steam turbine, frog farm, two full closets burst open in disarray, soap bubbles in the sun, hospital death bed, red convertible, shopping list, blowjob, deaths head, devils dancing, bleached white buildings, memories, movements, the movie unfeeling, unreeling, about to begin.
I've seen your hallway, you're a darn call away, I've hear your stairs creak. I can fix my mind on your yes, and on your no. I'll film you face today in the sparkling canals, all red, yellow, blue, green brilliance and silver Dutch reflection. Racing thoughts, racing thoughts. All too real, you're moving so fast now I cant hold your image. This image I have of your face by the window, me standing beside you arm on your shoulder. A catalogue of images, flashing glimpses then gone again.
Every clear afternoon now I'll picture you up in the air twisting your heel, your knees up around me, my face in your hair. You scream so well, your smile so loud it still rings in my ears.
Imitation. Distant, tired of longing. Clean white teeth. Stay the course. Hold the wheel. Steer on to freedom. Open all the boxes.
Open all the boxes.
Open all the boxes.
Open all the boxes.
Times Square midday: newspaper buildings, news headlines going around, you watch as they go, and hope that some good comes. Those tree shadows in the park they're all whistling chasing leaves. Around six pm, shadows across cobblestones, girl in front of a bathroom mirror she slowly and carefully and paints her face green and mask like. A portrait. A green stripe. Long shot through apartment window, a monologue on top but no girl in shot. The light within you shines like a diamond mine, like an unarmed walrus, like a dead man face down on the highway. Like a snake eating its own tail steam turbine, frog farm, two full closets burst open in disarray, soap bubbles in the sun, hospital death bed, red convertible, shopping list, blowjob, deaths head, devils dancing, bleached white buildings, memories, movements. The movie unreeling, about to begin.
Lets take life and slow it down incredibly slow, frame by frame with two minutes that take ten years to live out. Yeah, lets do that.
Telephone poles like praying mantras against the sky, metal arms outstretched. So much land travelled so little sense made of it. It doesn't mean a thing all this land laid out behind us. I'd like to take off into these woods and get good and lost for a while. I'm disgusted with petty concerns; parking tickets, breakfast specials. Does someone just have to carry this weight? Abstract typography, methane inconvenience, linear gospel, Nashville sales lady, and torturous lice, mad Elizabeth. Chemotherapy bullshit.
The light within you shines like a diamond mine, like an unarmed walrus, like a dead man face down on the highway. Like a snake eating its own tail, steam turbine, frog farm, two full closets burst open in disarray, soap bubbles in the sun, hospital death bed, red convertible, shopping list, blowjob, deaths head, devils dancing, bleached white buildings, memories, movements, the movie unfeeling, unreeling, about to begin.
I've seen your hallway, you're a darn call away, I've hear your stairs creak. I can fix my mind on your yes, and on your no. I'll film you face today in the sparkling canals, all red, yellow, blue, green brilliance and silver Dutch reflection. Racing thoughts, racing thoughts. All too real, you're moving so fast now I cant hold your image. This image I have of your face by the window, me standing beside you arm on your shoulder. A catalogue of images, flashing glimpses then gone again.
Every clear afternoon now I'll picture you up in the air twisting your heel, your knees up around me, my face in your hair. You scream so well, your smile so loud it still rings in my ears.
Imitation. Distant, tired of longing. Clean white teeth. Stay the course. Hold the wheel. Steer on to freedom. Open all the boxes.
Open all the boxes.
Open all the boxes.
Open all the boxes.
Times Square midday: newspaper buildings, news headlines going around, you watch as they go, and hope that some good comes. Those tree shadows in the park they're all whistling chasing leaves. Around six pm, shadows across cobblestones, girl in front of a bathroom mirror she slowly and carefully and paints her face green and mask like. A portrait. A green stripe. Long shot through apartment window, a monologue on top but no girl in shot. The light within you shines like a diamond mine, like an unarmed walrus, like a dead man face down on the highway. Like a snake eating its own tail steam turbine, frog farm, two full closets burst open in disarray, soap bubbles in the sun, hospital death bed, red convertible, shopping list, blowjob, deaths head, devils dancing, bleached white buildings, memories, movements. The movie unreeling, about to begin.
miércoles, 24 de junio de 2009
Nafta espiritual
Paluch es, en sí mismo, algo extraido por la fuerza a la naturaleza. Como una idea mala sacada con forceps de algun Jacobo Winograd.
viernes, 19 de junio de 2009
La fin de l'été
La pluie vient mouiller mon visage
Et confondre les larmes
Que je ne peux cacher
Pourtant, je veux te dire quand même
Encore plus fort "je t'aime"
Jusqu'au prochain été.
La fin de l'été - Françoise Hardy
miércoles, 17 de junio de 2009
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